

The early 1970s is referred to as the birth of Contemporary Art in Papua New Guinea. Papua New Guinea Contemporary art is a very recent phenomenon, which has no links to any art movements that are evident in the West. It also cannot be categorized as part of PNG's traditional heritage, in contrast PNG's authentic art forms displayed in Museums around the world are linked to the culture which dates back thousands of years.
Contemporary art emerged in the later part of the 1970s after the establishment of the National Arts School straight after the country's independence in 1975. From than on the Arts School had its share of re-forms and re-structure within the PNG National Education System and recently the University of Papua New Guinea.
The pioneers of Contemporary Art are, Artists like Akis, Mathias Kauage, Jakupa Ako, Cecil Wungi and David Lasisi to name a few. They have brought the understanding of this fascinating style of art making to reality in PNG. In recognition, this process originated from a vision and initiative by Ulli and Georgina Beier. Today Contemporary Artists are embracing this new art form as a means to relate to the past and be a voice of representation to record and promote PNG’s vast cultural diversity.
The late Mathias Kauage openly embraced this new form of art and was very keen to learn from the Beiers, which to his credit led him to become PNG's foremost or the man behind the birth of contemporary PNG art. Mathias from his humble view of life shared his knowledge with his family members. Today evidence of his influence and unselfish nature is very much evident among some of the contemporary artists who were under his guidance. Some of these artists have now become influential and are exhibiting their art globally.
This group of early artists and their art continue to intrigue me and I have
come to appreciate and understand their journey in embracing this new concept
of art making. This is very much evident today from the amount of work each
artist produced within a short period of time. This group of pioneers worked
around the period when PNG was on the crossroads to self-governance and post
independence. A period in which social issues and political instability was
a concern. These issues did not distract their creative process but only complimented
their research into subject matters of representation in their approach in
recording their ever-changing environment.
D.Waswas 2006
